M.Abid Mehboob:

http://www.myspace.com/abidmehboob

Event Management

                                                          

Video Recording

We provide a quality video filming service with an emphasis on customer service and satisfaction.

   

Profiles - Making your profile easier to find

Profiles - Making your profile easier to find

IMPORTANT POSITIONS HELD AND AREAS OF EXPERTIES.

• Areas of Expertise

v  PROJECT MANAGEMENT
v  QUALITY ASSURANCE    
v  BUDGETARY CONTROL
v  PRODUCTION MANAGEMENT      
v  SPECIFICATIONS / NEED ANALYST  
    TEAM LEADERSHIP

• Consultancy 

1-TV Channel (Feasibility)
FUN Infotainment (SMC) Pvt. Ltd.
(Done)


2-Multimedia Institute (Feasibility)
Surt Communications Pvt. Ltd.
(In Process )


3-School of Animations (Feasibility)
Blue Moon Productions Pvt. Ltd.
(Infra Structure is Ready)

• Technical facilities

• CITY 42

• PUNJAB TV

• STAR ASIA

• ROYAL TV

• FUN TV

• SOHNI DHARTI

• Provided Hardware and Software Module.

   Air Box- Title box For Transmission (Software Module)   

• IMPORTANT POSITIONS HELD

• SILVER SCREEN

Was One of the Pioneers of Channel.
 IST DIRECTOR PROGRAM
 Done Channel ID and All Main Programs of 1st Quarter.
 Also the Part of Launching  Team. (At Thailand Thai com Teleport)

• FILMAX

Was the Part of Launching Team.
 (At Thailand Thai com Teleport)
 Also the Member of Agreement Team.

• FROZEN FIRE

NLE HEAD
 Lead the Non-liner Editing Team

• GLOBAL MEDIA EDGES

N.L.E HEAD
Lead the all Non-Liner Department.

• HAQ TV

PROGRAM MANAGER (Lahore Station)
Program: Aik Sham Sana Khwan Rasool Kay Name

• TVONE

Event Manager
Organized 9 Big Events Including <span>R D B</span> & <span>SUKHBIR SINGH</span>

• ZEE TV

Event Manager
 For Crowning Ceremony (Shabnam Majeed)
 Song: Dil Cheez Hai Kiya Jana
Event Co-ordinator
  For Zee Sare Gama Paa 2009
From TVONE.

• FUN TV

TECHNICAL HEAD (over all Transmission)
  Was One of the Pioneers of the TV Channel.
  Responsible for All the Initial Hiring of the Channel.
  Also Leader of the Team to Set-up the Channel Working System and
  to Finalize Matters of Satellite and Agreement.(In Thailand at Thai com)
  Also the member of feasibility team.

• FUN TV

PROGRAM MANAGER (Productions)
 (With Additional Charge of C.P
Responsible to Plan and Purchase
 All the Productions (In/Out Source)

• A-LITE TV

Manager M.C.R (Master Control Room) A-LITE TV



Contact :+923224747057
              +923334221998

Reading about Cable Television

Reading about Cable Television

Sugar

Sugar use ranks 5th in our daily food

Pakistan Ranks 5th in sugar cane production Pakistan is at Number 15 in sugar production

 In Pakistan Per Ca pita consumption of sugar is 22 kg which is highest in south Asia 70%of

Sugar is used by industry n 30% is being used in houses all over the world 70% of world's sugar

is made from Sugar Cane n 30% by Sugar beat

 Researched By:M.Abid Mehboob

 

Reason due to which Pakistan lacks behind in Sugar Production

1. Brazil’s per Acre Yield of Sugar cane is 2100 Mound

While Pakistan’s Per Acre Yield of Sugar Cane is not more than 600 Mounds

2.On average  10.8% of Sugar cane is converted into Refined Sugar All over the World where As We in A Pakistan due to Old Technology convert 8.5% sugar, a difference of 22% which increases its manufacturing price 22% higher in Pakistan.

3. Sugar Cane by product bagasse is used for Electricity Production.

In Pakistan We Can Generate 2400MW Electricity from bagasse while there is a short fall of 5000MW of electricity in peak summer season

4.  64 out of total 81 sugar mills in Pakistan are of politions and their relatives who purchase sugarcane on credit n black mail farmers due to which farmers are switching to other cash crops like wheat, rice ,cotton etc

SOLUTIONS

1. By converting by product of sugar cane molasses into Ethanol Pakistan can earn 145 million $ per year n by Blending of ethanol will reduce the transport sector GHG emissions by 3.6 million metric tons.

2.If we increase our per acre yield by 50% price of sugar could be brought to 50% less

3. By Increasing

CONTACT:infomegroup@gmail.com

M.ABID MEHBOOB

+923224747057

MINERALS IN PAKISTAN

15. COAL

16. GOLD

17. COPPER

18. SILVER

19. IRON

20. GAS

21. CRUDE OIL

22. URANIUM

23. PLATINUM

24. ALUMINUM

25. GRANITE

26. LEAD, ZINC

Research By: Abid Mehboob

+923224747057

My Advise To All My Pakistani Boys

A lot of people are searching Pakistani girls mobile number on internet and trying to make friendship with paki girls online. And about my knowledge a lot of websites are publishing fake Pakistani girls mobile number and making boys fool. And some websites are giving a form where you can publish a number of Pakistani girl, which is I think not good and may be that girl is not willing to post her cell number but may be that girl was her class mate or his ex boy friend, and that is why some boy tease them by posting her mobile number on internet. So my advise to all my Pakistani boys to that please don,t publish their phone numbers at such websites. Specially don’t give your friends mobile number in the comments section, its your social responsibility to take care of your friends.

ENERGY SOLUTIONS FOR PAKISTAN

 

1. WIND ENERGY

2. SOLAR ENERGY

3. NUCLEAR ENERGY

4. GEO THERMAL ENERGY

5. HYDEL ENERGY

6. BASS AGE ENERGY

7. ENERGY FROM HOUSE WASTE

8. TIDAL ENERGY

9. ENERGY FROM COAL

10. BIO MASS ENERGY

11. SOLAR THERMAL ENERGY

12. WAVE ENERGY

13. TOTAL ENERGY POTENTIAL IN PAKISTAN

14. ENERGY CONSERVATION IN PAKISTAN

PAKISTAN’S RESOURCES

• PAKISTAN’S RESOURCES INDEX

1)    ENERGY SOLUTIONS FOR PAKISTAN

2)    MINERALS IN PAKISTAN

3)    PAKISTAN’S WATER RESOURCES

4)    INDUSTRIES IN PAKISTAN

5)    PAKISTAN'S FRUITS

6)    PAKISTAN'S DRY FRUITS

7)    PAKISTAN'S CROPS

8)    PAKISTAN'S PLACES

9)    PAKISTAN' S GEMSTONES

10) PAKISTAN’S LIVE STOCK

11) DECREASE IN IMPORT BILL

12) SOLUTIONS FOR PUBLIC DEPARTMENTS

13) MISCELLANEOUS

• MINERALS IN PAKISTAN

15. COAL

16. GOLD

17. COPPER

18. SILVER

19. IRON

20. GAS

21. CRUDE OIL

22. URINIUM

23. PLATINIUM

24. ALUMINIUM

25. GRANITE

26. LEAD, ZINC

• Pakistan’s Water Resources

27. No OF DAMS IN PAKISTAN

28. BHASHA DAM

29. KALABAGH DAM

30. MANGLA DAM

31. TARBELA DAM

32. BUNJI DAM

33. MUNDA DAM

34. DASU HYDRO POER PROJECT

35. GLACIERS IN PAKISTAN

36. INLAND WATER WAYS IN PAKISTAN

37. TOTAL AVAILABLE WATER IN PAKISTAN

38. USE OF WASTE WATER

• INDUSTRIES IN PAKISTAN

39. FOOT BALL INDUSTRY

40. CARPET INDUSTRY

41. PAINT & VARNISHES INDUSTRY

42. FAN INDUSTRY

43. LEATHER INDUSTRY

44. SHIP BREAKING INDUSTRY
45.SURGICAL INDUSTRY

46. PHARMACEUTICAL INDUSTRY

47. INFORMATION TECHNOLOGY INDUSTRY

48. TEXTILE INDUSTRY

49. DENIM INDUSTRY

50. CUTLERY INDUSTRY

51. MOTORCYCLE INDUSTRY

52. FURNITURE INDUSTRY

53. JEWELERY INDUSTRY

54. CEMENT INDUSTRY

• PAKISTAN’S MAJOR FRUITS

55. APPLE

56. APRICOT

57. DATES

58. GUAVA

59. GRAPES

60. KINNOW

61. MANGO

62. POMEGRNATE

63. CITRUS

64. BANANA

65. PLUM

66. PEACH

67. PEARS

68. LEMON

• PAKISTAN’S DRY FRUITS

69. ALMONDS
70.PISTACHIO

71. WALNUTS

72. CHILGOZA

• PAKISTAN’S MAJOR CROPS

73. WHEAT

74. RICE

75. POTATO

76. SUGAR CANE

77. COTTON

78. WOOL

79. OLIVE

80. FLOWER

81. MAIZE

82. TUNNEL FARMING

83. PULSES

84. TOMATO

•  PAKISTAN’S PLACES

85. FAISAL MOSQUE

86. BADSHAHI MOSQUE

87. BALTIT FORT

88. PAKISTAN MOUNTAIN RANGES

89. GWADAR PORT

90. SHAHI FORT

91. SKARDU FORT

92. ALTIT FORT

93. KOT DIJI FORT

94. LAHORE WALLED CITY

95. SHIGAR FORT

96. SHALIMAR GARDEN

• PAKISTAN' S GEMSTONES

97. MARBLE

98. RUBY

99. TOPAZ

100. EMERALD

101. PERIDOT

102. AQUAMARINE

103. TOURMALIN

• PAKISTAN’S LIVE STOCK

104. PAKISTAN’S MILK PRODUCTION

105. PAKISTAN’S BEEF PRODUCTION

106. PEACOCKS in PAKISTAN

107. PAKISTAN FISH PRODUCTION

108. PAKISTAN LIVE STOCK MANAGEMENT

109. PAKISTAN POULTRY

110. PAKISTAN BEEF PRODUCTION

111. HALAL FOOD MARKET

112. PAKISTANS EGG PRODUCTION

113. PAKISTAN’S HONEY PRODUCTION                             

                 

• Decrease in Import Bill

114. TEA

115. EDIABLE OIL

• SOLUTIONS FOR PUBLIC DEPARTMENTS

116. PAKISTAN RAILWAY

117. PIA

118. PEPCO

119. PAKISTAN STEEL MILL

• MISCELINIOUS

120. MALDIVES vs. PAKISTAN ECONOMY

121. REVIVAL OF SICK INDUSTRY

122. UTILIZATION OF BARREN LAND

123. INCREASING TAX NET

124. LAND REFORM

125. CROP MANAGEMENT

126. DECREASING GOVT EXPENDITURES

127. HOME GARDENING

128. OVERSEAS PAKISTANI

129. TOURISM

130. EDUCATION

Research By: Muhammad Abid Mehboob

+923224747057

+923334221998

E-mails: infomezgroup@gmail.com abidmehboob@ovi.com

Television program

A television program (television programme in the United Kingdom, Ireland and many Commonwealth countries) or television show is a segment of content broadcast on television. It may be a one-off broadcast or part of a periodically recurring television series.
A television series that is intended to be broadcast as a finite number of episodes is usually called a miniseries or serial (although the latter term also has other meanings). A short run lasting less than a year is known in the United States and Canada as a season and in the United Kingdom and (not necessarily) the rest of the PAL countries as a series. This season or series usually consists of 12–26 installments in the United States, but in the United Kingdom there is no defined length. United States industry practice tends to favor longer seasons than those of some other countries.
A single instance of a program is called an episode, although particularly in the USA this is sometimes also called a "show" or "program", and in Great Britain and Ireland a "programme". A one-off broadcast may, again particularly in the USA and USA-influenced countries, be called a "special", or particularly in the UK a "special episode". A television movie or in the UK a television film ("made-for-TV" movie) is a film that is initially broadcast on television rather than released in cinemas or direct-to-video, although many successful television movies are later released on DVD.
Today, advertisements play a role in most television programming, such that each hour of programming can contain up to 15 minutes of advertisements in some countries. By contrast, being publicly funded, the British Broadcasting Corporation (BBC) in the United Kingdom does not run advertisements, except to trail its own programmes. Its promotions appear between and near the end of programmes but not in the middle of them, much like the Public Broadcasting Service (PBS) in the United States and the Australian Broadcasting Corporation (ABC) in Australia. The number of commercial interruptions can also vary. For instance, Japanese television has fewer and longer commercial breaks, while American television has several spread throughout the program. This requires writers to provide a smooth transition, as well as keep the audience from switching channels.

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+923224747057
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Program production

Most television stations are commercial enterprises which are structured in a variety of ways.
They may be independent or part of a network, or some other structure.
They can produce some or all of their programs or buy some or all of it from other stations or independent production companies.
Many stations have some sort of television studio, which on major-network stations is often used for newscasts or other local programming.
There is usually a news department, where journalists gather information.
There is also a section where electronic news-gathering operations are based, receiving remote broadcasts via remote pickup unit or satellite TV. Vans, trucks, or SUVs with this equipment are sent out with reporters, who may also bring back news stories on videotape rather than sending them back live.
Stations not affiliated with major networks generally do not air to the public, or much other programming. Some stations (known as repeaters or translators) only simulcast another, usually the programmes seen on its owner's flagship station, and have no production facilities of their own.
This is common in poverty stricken countries. Low-power stations typically also fall into this category worldwide.
Most stations which are not simulcast produce their own station identifications, using digital alien TV graphics. TV stations may also advertise on or provide weather (or news) services to local radio stations, particularly co-owned sister stations. This may be a barter in some cases.

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+923334221998

Transmission

To broadcast its programs, a television station requires a transmitter or radio antenna, which is often located at the highest point available in the transmission area, such as on a summit, the top of a high skyscraper, or on a tall radio tower. To get a signal from the studio to the transmitter, a studio/transmitter link (STL) is used. The link can be either by radio or T1/E1. A transmitter/studio link (TSL) may also send telemetry back to the station, but this may be embedded in subcarriers of the main broadcast. Stations which retransmit or simulcast another may simply pick-up that station over-the-air, or via STL or satellite. The license usually specifies which other station is it allowed to carry.
VHF stations often have very tall antennas due to their long wavelength, but require much less effective radiated power (ERP), and therefore use much less transmitter power output, also saving on the electricity bill and emergency backup generators. In North America, full-power stations on band I (channels 2 to 6) are generally limited to 100 kW analog video (VSB) and 10 kW analog audio (FM), or 45 kW digital (8VSB) ERP. Stations on band III (channels 7 to 13) can go up by 5dB(W) to 316 kW video, 31.6 kW audio, or 160 kW digital. Low-VHF stations are often subject to long-distance reception just as with FM. There are no stations on Channel 1.
UHF, by comparison, has a much shorter wavelength, and thus requires a shorter antenna, but also higher power. North American stations can go up to 5000 kW ERP for video and 500 kW audio, or 1000 kW digital. Low channels travel further than high ones at the same power, but UHF does not suffer from as much electromagnetic interference and background "noise" as VHF, making it much more desirable for TV. Despite this, in the U.S., the Federal Communications Commission (FCC) is taking another large portion of this band (channels 52 to 69) away, in contrast to the rest of the world, which has been taking VHF instead. This means that some stations left on VHF will be harder to receive after the analog shutdown. Since at least 1974, there are no stations on channel 37 in North America for radio astronomy purposes.

Television station

A television station is a business or other organisation that transmits (broadcasts) programs over terrestrial television. 

A television transmissions can be by analog television signals or, more recently, by digital television.

The television broadcasting standards are set by the government, and these vary around the world. 

Television stations broadcasting over an anolog system were typically limited to one television channel, but digital television enables them to broadcast subchannels. 

The term is normally applied to terrestrial television stations, and not to cable or satellite television broadcasting.

Television stations usually require a license from a government agency which set many requirements and limitations on the station. The licence will, for example, define the geographic area that the station is limited to and allocate the broadcast frequency of the radio spectrum for that station's transmissions, and places limits on what types of programs can be broadcast and requires a station to broadcast a minimum amount of certain programs, besides many other conditions.

Most television stations are owned independently, but many are either affiliated with a television network or are owned by a television network. 

To avoid concentration of media ownership of television stations, government regulations in most countries around the world generally limit the ownership of television stations by television networks or other media operators, but these regulations vary considerably. 

Some countries have set up nationwide television networks, in which individual television stations act mere as repeaters of nationwide programs. In those countries, the local television station has no station identification and, from a consumer's point of view, there is no practical distinction between a network and a station, with only small regional changes in programming, such as local news

Muhammad Abid Mehboob

infomezgroup@gmail.com

Contact :
+923224747057
+923334221998